- Note: Take a look at the images of the article published on "Arte Contemporanea" (number of November-December 2009), the famous italian review of contemporary art, about the Pinarello's one man show in Udine at the "Nuovo Spazio" Gallery (Venezia - Udine).

- Exhibition in VENICE: take a look at the images of the article published on "Arte Contemporanea" (number of May-June 2009), the famous italian review of contemporary art, about the Pinarello's one man show at Barozzi's Studio in VENICE (in Italian).

- Exhibition in Milan: take a look at the images of the article published on "Arte Contemporanea" (number of May-June 2008), the famous italian review of contemporary art, about the Pinarello's one man show at Barozzi's Studio in Milan (in Italian).

- The next profile is from an article published on "Arte Contemporanea",
number of January-February 2007, pages 103-104)

Ottavio Pinarello, a young Paduan artist [a city near Venice in Italy], grew up in a rich atmosphere of artistic-literary stimuli. His classical studies concurred to deepen in him a humanistic vision through historic, literary and philosophical knowledge, and a natural tendency to the reflection on the qualifying meanings of life. He has devoted himself with passion to studies on history of art and painting, perceiving for this expressive shape a particular and natural predisposition that has carried him to express his own feelings and emotions in his works. After a first short figurative period, his art matures in a pure abstract phase. In it appears a deep interest of the artist for the substance, in a continuous flow and upheaval, until clarifying a series of feelings and allusions. Subsequently, the wish to deepen this search, intersected with a renewed will to explore human feelings, leads him to progressively enter in a new "symbolistic" phase. In it the artist, through the particular use of the human figure and the human profile, wants to explore some deep aspects of the soul, and its relationships with the feelings, the passions, the substance and the materiality. He aims to assign a human face both to real objects, idealizing them and attributing further meanings, and abstract concepts, decoding and making them concrete. The full mastery of the use of the colour and the personal, unique, ingenious style confer a strong and innovating intensity to the pictorial representation of the artist. Ottavio Pinarello with his paintings carries and involves his audience in a metaphysical and, at the same time, a real world and space, transmitting to them mysterious, enigmatic and engaging feelings....

Manlio Fonti ("Arte Contemporanea")